2025东莞首届国际声乐大师班

2025/3/17-21

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01 PART.ONE 大师介绍

Prof. Christiane Libor

世界著名戏剧女高音歌唱家

Christiane Libor 出生于柏林，是一位德国戏剧女高音歌唱家，德国卡尔斯鲁厄音乐学院声乐系教授，博士生导师。

Christiane Libor 曾在柏林 Hanns Eisler 音乐学院师从 Anneliese Fried 教授完成了声乐学习，艺术歌曲她师从迪特里希·费舍尔-迪斯考（Dietrich Fischer-Dieskau）、朱莉娅·瓦拉迪（Júlia Várady）和布丽吉特·法斯班德（Brigitte Fassbaender）。

Christiane Libor 曾在柏林国家歌剧院、汉堡国家歌剧院、苏黎世歌剧院、尼斯歌剧院、巴士底歌剧院、斯特拉斯堡莱茵歌剧院、德累斯顿森帕歌剧院、华盛顿歌剧院、法兰克福歌剧院等歌剧院演出。曾与菲利普·奥金、阿舍·菲施、菲利普·乔丹、库尔特·马苏尔、英戈·梅茨马赫、马克·闵可夫斯基、赫尔穆特·里林、塞巴斯蒂安·魏格尔、西蒙娜·杨和梵志登等指挥家合作。

在2023-2024演出季期间，她分别在以下几部作品中展现了她的艺术才华：在蒂罗尔音乐节 Erl，她与导演KS Brigitte Fassbaender合作，在指挥Erik Nielsen的带领下，成功饰演了《尼伯龙根的指环》中的Brünnhilde一角；在莱比锡歌剧院，她参演了《特里斯坦与伊索尔德》，由Christoph Gedschold担任指挥；在斯图加特歌剧院，她与Cornelius Meister合作，演绎了《众神的黄昏》中的布伦希尔德角色。此外，Christiane Libor的音乐会行程同样精彩，她在维也纳饰演了“Die Walküre”第一幕中的Sieglinde，指挥是Omer Meir Wellber；在Münster，她与Golo Berg携手合作；在波尔多，她与Joseph Swenson共同演绎了Wagner's Ring的精选片段。

在最近几个乐季中，Christiane Libor 在蒂罗尔音乐节的《女武神》、《齐格弗里德》和《众神的黄昏》中饰演布伦希尔德，并在科尼利厄斯的指挥下在斯图加特国家歌剧院的《众神的黄昏》中饰演布伦希尔德主人。在古斯塔沃·杜达梅尔 （Gustavo Dudamel） 和洛杉矶爱乐乐团 （Los Angeles Philharmonic） 的指挥下，她在聋人西部剧院 （Deaf West Theater） 的舞台演出中演唱了“费德里奥”中的主角。

近期的亮点包括：梵志登担任指挥的《女武神》与萨尔茨堡复活节音乐节携手，在北京保利剧院进行巡演。值得一提的是，三个布伦希尔德在乌尔夫·席尔默（Ulf Schirmer）的指挥下，短短四天内在莱比锡歌剧院的《尼伯龙根的指环》中首次亮相。在斯图加特歌剧院制作的《帕西法尔》中，她饰演昆德里一角，该剧由Calixto Bieito执棒。西尔万·坎布雷林在莱比锡歌剧院执导了新制作的《漂泊的荷兰人》，并在塞巴斯蒂安·魏格尔的指挥下，于法兰克福歌剧院成功呈现了《女武神》。在卡尔斯鲁厄巴迪什国家剧院，她首次挑战了“图兰朵”这一角色，由乔治·弗里奇担任指挥。此外，坎布雷林在奥马尔·梅尔·韦尔伯的指挥下，与BBC爱乐乐团合作，在音乐会中精彩演唱了《女武神》中的齐格林德。她还在西雅图歌剧院和斯图加特歌剧院上演的《纳克索斯岛》中，成功塑造了“阿里阿德涅”这一角色。

Christiane Libor 在美国西雅图歌剧院（Seattle Opera）完成了她的美国首演，在贝多芬的《费德里奥》中精彩扮演了莱昂诺尔（Leonore）一角。随后，她在蒂罗尔因斯布鲁克州立剧院（Landestheater Innsbruck）成功演绎了雅纳切克的《耶努法》（Jenůfa）的女主角。她的其他保留剧目同样引人注目，包括在法兰克福歌剧院以音乐会形式演出的《Das Liebesverbot》，以及在莱比锡歌剧院的舞台上表演。在《仙女》中，她扮演了艾达一角，而在格拉茨歌剧院的《唐豪瑟》中，她分别饰演了伊丽莎白和维纳斯两个角色。此外，在菲利普·乔丹的指导下，她在巴黎歌剧院精彩演绎了古特鲁内这一角色。

她曾多次与柏林广播交响乐团合作，在马雷克·雅诺夫斯基的指挥下演绎肖斯塔科维奇的《第十四交响曲》；在珀斯，她与西澳大利亚交响乐团及其指挥阿舍尔·菲施共同演出了《费德里奥》的管弦乐版；在奥克兰，她与新西兰交响乐团在埃多·德·瓦尔特的指导下进行了合作。她还与史蒂文·斯隆和波鸿交响乐团携手，演奏了施特劳斯的《最后四首歌》，并在一场贝多芬第九交响曲的音乐会上，与Sylvain Cambreling和汉堡交响乐团共同演出。此外，她与莱昂·博特斯坦和美国交响乐团合作，演唱了多个节目，其中包括伯格的《阿尔滕贝格-抒情诗》、施密特的《Das Buch mit Sieben Siegeln》以及欣德米特的《Sancta Susanna》。

自2021年以来，Christiane Libor 每年受到Wolfgang Sawallisch Stiftung的邀请开设大师班，将她关于声乐发展的知识传授给年轻的歌手。

Christiane Libor, born in Berlin, is a German dramatic soprano, a professor, and a doctoral supervisor at the Vocal Department of the Karlsruhe University of Music in Germany.

Christiane Libor completed her vocal studies at the Hanns Eisler Academy of Music in Berlin under the tutelage of Professor Anneliese Fried. For her art song studies, she was mentored by Dietrich Fischer-Dieskau, Júlia Várady, and Brigitte Fassbaender.

Christiane Libor has performed at opera houses such as the Berlin State Opera, Hamburg State Opera, Zurich Opera House, Nice Opera, Bastille Opera, Strasbourg Rhine Opera, Dresden Semperoper, Washington Opera, Frankfurt Opera, and Stuttgart State Opera. She has collaborated with conductors including Philippe Auguin, Asher Fisch, Philippe Jordan, Kurt Masur, Ingo Metzmacher, Marc Minkowski, Helmuth Rilling, Sebastian Weigle, Simone Young, and Jaap van Zweden.

During the 2023-2024 performance season, she demonstrated her artistic talents in several works: at the Tiroler Festival Erl, she portrayed Brünnhilde in "Der Ring des Nibelungen" in collaboration with director KS Brigitte Fassbaender and under the baton of Erik Nielsen; at the Leipzig Opera, she appeared in "Tristan und Isolde" conducted by Christoph Gedschold; and at the Stuttgart Opera, she played Brünnhilde in "Götterdämmerung" in collaboration with Cornelius Meister. Additionally, Christiane Libor's concert schedule was equally impressive, with appearances as Sieglinde in the first act of "Die Walküre" in Vienna under the direction of Omer Meir Wellber; in Münster with Golo Berg; and in Bordeaux with Joseph Swenson, where they performed excerpts from Wagner's Ring.

In recent seasons, Christiane Libor has portrayed Brünnhilde in "Die Walküre," "Siegfried," and "Götterdämmerung" at the Tiroler Festival Erl and in "Götterdämmerung" at the Stuttgart State Opera under Cornelius Meister. With Gustavo Dudamel and the Los Angeles Philharmonic, she sang the title role in "Fidelio" in staged performances at the Deaf West Theatre.

Recent highlights include "Die Walküre" conducted by Jaap van Zweden in a co-production with the Salzburg Easter Festival, which toured to the Beijing Poly Theatre; the three Brünnhildes in "Der Ring des Nibelungen" in just four days at the Leipzig Opera under the direction of Ulf Schirmer; in "Parsifal" at the Stuttgart State Opera, where she played Kundry in a production by Calixto Bieito; "Der fliegende Holländer" in a new production at the Leipzig Opera, directed by Sylvain Cambreling; and "Die Walküre" at the Frankfurt Opera under Sebastian Weigle. In her debut as Turandot at the Badisches Staatstheater Karlsruhe, she was conducted by Georg Fritzsch. Additionally, Christiane Libor performed the role of Sieglinde in "Die Walküre" In a concert with the BBC Philharmonic, she performed the role of Sieglinde in ‘Die Walküre’ under the direction of Omer Meir Wellber, and was successful in portraying the title role of "Ariadne auf Naxos" at the Seattle Opera and the Stuttgart State Opera.

Christiane Libor made her American debut at the Seattle Opera as Leonore in Beethoven's "Fidelio" and successfully interpreted the title role in Janáček's "Jenůfa" at the Tiroler Landestheater Innsbruck. Her other roles in her repertoire include "Das Liebesverbot" in a concert version for the Frankfurt Opera and on stage at the Leipzig Opera, and as Ada in "Die Feen," as well as "Tannhäuser" as Elisabeth and Venus at the Graz Opera, "Götterdämmerung" as Gutrune under Philippe Jordan at the Paris Opera.

She has collaborated with the Berlin Radio Symphony Orchestra under the direction of Marek Janowski for Shostakovich's Fourteenth Symphony; in Perth with the West Australian Symphony Orchestra and conductor Asher Fisch for the orchestral version of "Fidelio"; in Auckland with the New Zealand Symphony Orchestra under conductor Marek Janowski for the orchestral version of ‘Fidelio’.

Prof. Stephan Klemm  

德国著名男低音歌唱家

Stephan Klemm出生于德国萨克森-安哈尔特州，是一位戏剧男低音歌唱家，德国卡尔斯鲁厄音乐学院声乐系教授，博士生导师。

Stephan Klemm 先后在哈勒的马丁·路德大学攻读德国研究和艺术史，随后进入莱比锡的费利克斯·门德尔松-巴托尔迪音乐大学（Felix Mendelssohn-Bartholdy University of Music）深造，并在那里接受黑尔加·福尔纳（Helga Forner）的声乐指导。在此之后，他与著名艺术家Brigitte Fassbaender进行合作。

在他学习的最后一年，他来到波茨坦的汉斯-奥托剧院工作，并饰演了多部年轻男低音的古典角色。他的演出足迹遍布众多德国歌剧院，如德绍剧院、多特蒙德剧院、魏玛国家剧院、曼海姆国家剧院、威斯巴登黑森州立剧院、汉诺威国家歌剧院、科隆歌剧院、加特纳广场国家剧院和莱比锡歌剧院。同时，也去到了卡利亚里、因斯布鲁克和华沙等地，在那里，他出演了多个瓦格纳歌剧的角色，其中包括：《莱茵戈尔德》中的法索特/法夫纳、《女武神》中的亨丁、《齐格弗里德》中的法夫纳、《众神的黄昏》中的哈根、《罗恩格林》中的海因里希国王、《特里斯坦》中的马尔克国王、《唐豪瑟》中的兰德格拉夫和《漂泊的荷兰人》中的达兰德。他还演唱了《被出卖的新娘》中的德·凯扎尔、柴可夫斯基的《奥涅金》中的格雷明或《阿依达》中的兰菲斯，以及《魔笛》中的萨拉斯特罗。

他对于音乐会和歌曲艺术怀有深厚的热爱，这种热情将他带到了世界各地的舞台。他曾经与众多国际知名乐团合作演出，包括华沙爱乐乐团、西班牙马德里国家管弦乐团、汉堡交响乐团、蒙特利尔音乐交响乐团，以及柏林爱乐乐团等。在音乐会上，他与多位著名指挥家携手合作，如斯特凡·桑德林、雅克·范·斯蒂恩、马尔科·莱通亚、克里斯托夫·普里克、霍华德·阿曼、安东尼·维特、杰弗里·泰特和乌尔夫·席尔默。2014年，在切切宁爱乐乐团的开幕式上，斯蒂芬·克莱姆在雅采克·卡斯普齐克的指挥下，精彩演绎了贝多芬的第九交响曲。

自2017年夏季学期起，他一直在卡尔斯鲁厄音乐学院担任教职。他的毕业生多在国内和国际知名的歌剧院演唱，如米兰的斯卡拉歌剧院、德累斯顿森帕歌剧院或柏林国家歌剧院。

Stephan Klemm was born in Saxony-Anhalt, Germany, and is a dramatic bass-baritone, a professor at the Voice Department of the Karlsruhe University of Music, and a doctoral supervisor.

Stephan Klemm pursued German Studies and Art History at Martin Luther University in Halle before furthering his education at the Felix Mendelssohn-Bartholdy University of Music in Leipzig, where he received vocal training from Helga Forner. Following this, he collaborated with the renowned artist Brigitte Fassbaender.

In the final year of his studies, he began working at the Hans Otto Theater in Potsdam, taking on classical roles for young bass-baritones. His performance career has taken him to many German opera houses, including the Dessau Theater, Dortmund Theater, Weimar National Theater, Mannheim National Theater, Hessian State Theater Wiesbaden, Hanover National Opera, Cologne Opera, Gärtnerplatz State Theater, and Leipzig Opera. He has also performed in Cagliari, Innsbruck, and Warsaw, taking on various Wagnerian roles, including Fasolt/Fafner in "Rheingold," Hunding in "Die Walküre," Fafner in "Siegfried," Hagen in "Götterdämmerung," King Heinrich in "Lohengrin," King Marke in "Tristan," Landgrave in "Tannhäuser," and Daland in "Der fliegende Holländer." He has also sung the roles of De Kecal in "The Bartered Bride," Gremin in Tchaikovsky's "Eugene Onegin," Ramfis in "Aida," and Sarastro in "The Magic Flute."

With a deep passion for concert and Lieder art, Stephan Klemm has performed on stages worldwide. He has collaborated with numerous internationally renowned orchestras, including the Warsaw Philharmonic Orchestra, the National Orchestra of Spain in Madrid, the Hamburg Symphony Orchestra, the Montreal Symphony Orchestra, and the Berlin Philharmonic Orchestra. In concerts, he has worked with famous conductors such as Stefan Sanderling, Jaak van Steen, Marco Letonja, Kristjan Järvi, Howard Arman, Antony Walker, Jeffrey Tate, and Ulf Schirmer. In 2014, Stephan Klemm gave an outstanding performance of Beethoven's Ninth Symphony under the baton of Jacek Kaspszyk at the opening of the Czecin Philharmonic Orchestra.

Since the summer semester of 2017, he has been teaching at the Karlsruhe University of Music. His graduates perform at renowned opera houses both domestically and internationally, including La Scala in Milan, the Semperoper Dresden, and the Berlin State Opera. 

02 PART.TWO 艺术指导及制作人介绍

樊林林

艺术指导

樊林林，旅德青年钢琴演奏家，管弦乐、声乐艺术指导。现任教于慕尼黑音乐戏剧学院及纽伦堡音乐学院。

2011 年获取国立纽伦堡音乐学院最高演奏家文凭以及博士学位。师从 Gabriel Rosenberg 教授, 得益于 Pavel Gililov 教授、Claude Helffer 教授、Anatol Ugoski 教授及 Wolfgang Manz 教授等的指导。同年获得德国巴伐利亚州科学艺术文化部贝多芬作品的科研基金，成为获得该基金的唯一一位中国钢琴家。她还曾多次获得国际钢琴比赛奖项并受邀于国际著名音乐节。她与 Metropol Chamber 交响乐团合作演出的贝多芬钢琴协奏曲和贝多芬作品专场个人独奏音乐会，见证了她在德奥古典音乐方面的深厚修养和演奏造诣。作为演奏家，她应邀参加了印度-德国文化交流音乐节，西非的拉各斯国际音乐节，深圳国际文化艺术周以及意大利布尔查诺国际钢琴艺术节等。

樊林林不仅钢琴独奏领域技艺精湛，在声乐室内乐方面也经验丰富，她与世界著名的演奏家们及重奏组成功合作并举办大师班。除此之外她掌握着大量器乐及声乐套曲作品，并精通多门外语。2017 年在慕尼黑音乐戏剧大学获得德国艺术歌曲硕士学位，后被该院聘用任教。曾与著名男高音歌唱家陈勇、Julian Prégardien、男中音歌唱家Thomas E. Bauer、女高音歌唱家Iride Martínez 以及女中音歌唱家 Rebecca Martin 等成功合作，得到了广泛的好评。她还长期给世界著名男高音歌唱家 Siegfried Jerusalem教授、Frieder Lang教授、女中音歌唱家教育家 Christiane Iven 及Michelle Breedt教授的学生担任声乐艺术指导，因此她的学生们也遍布了欧洲各大乐团及歌剧院。

多年来樊林林致力于把钢琴艺术作为连接中德文化的桥梁：曾担任2018C&W音乐大赛的艺术总监及评委以及2024年NIM德国纽伦堡国际钢琴音乐节大师班等文化交流活动。

Fan Linlin is a young pianist based in Germany, specializing in orchestral collaborations and vocal accompaniment and vocal artistry. She currently teaches at the Munich Academy of Music and Drama and the Nuremberg Conservatory of Music.

In 2011, she obtained the highest performer's diploma and a doctoral degree from the State Conservatory of Music in Nuremberg. She studied under Professor Gabriel Rosenberg and benefited from the guidance of Professors Pavel Gililov, Claude Helffer, Anatol Ugoski, and Wolfgang Manz. In the same year, she was awarded a research grant for Beethoven's works by the Bavarian Ministry of Science, Art, and Culture, becoming the only Chinese pianist to receive this grant. She has won numerous international piano competition awards and been invited to perform at renowned international music festivals. Her performances of Beethoven's piano concertos and a solo recital dedicated to Beethoven's works and a performance of Beethoven’s piano concertos with the Metropol Chamber Orchestra demonstrated her profound and skill in German-Austrian classical music. As a performer, she has been invited to participate in the India-Germany Cultural Exchange Music Festival, the Lagos International Music Festival in West Africa, the Shenzhen International Culture and Art Week, and the Brescia International Piano Art Festival in Italy.

Fan Linlin is not only proficient in piano solo performance but also has rich experience in vocal and chamber music. She has successfully collaborated with world-renowned performers and ensembles and conducted masterclasses. Moreover, she has a vast repertoire of instrumental and vocal music cycles and is fluent in multiple languages. In 2017, she obtained a Master's degree in German Art Song at the Munich Academy of Music and Drama and was later employed as a teacher there. She has successfully collaborated with renowned tenor Chen Yong, Julian Prégardien, baritone Thomas E. Bauer, sopranos Iride Martínez, and mezzo-soprano Rebecca Martin, and mezzo-soprano Rebecca Martin, receiving widespread acclaim. She also regularly serves as a vocal artistry coach for students of famous tenors Siegfried Jerusalem and Frieder Lang, mezzo-sopranos and educators such as Christiane Iven and Michelle Breedt, with her students are now found in major European orchestras and opera houses.

For many years, Fan Linlin has been Dedicated to bridging Chinese and German cultures through piano art: she has served as the artistic director and judge for the 2018 C&W Music Competition, and was involved in masterclasses at the 2024 NIM International Piano Music Festival in Nuremberg, Germany , among other cultural exchange activities.

高源

艺术指导

高源，现任星海音乐学院声乐歌剧系声乐艺术指导。

1994年生于云南省昆明市，5岁开始学习钢琴，师从云南艺术学院钢琴系主任李兆仁教授，2012年考人上海音乐学院钢琴系本科，师从现副系主任孙颖迪教授，2016年跟随德国科隆音乐与舞蹈学院艺术歌曲艺术指导Ulrich Eisenlohr 教授学习艺术歌曲指导，于2017年10月考入德国卡尔斯鲁尔音乐学院艺术歌曲艺术指导专业研究生(钢琴)，师从德国著名艺术歌曲大师、卡尔斯鲁尔音乐学院院长Hartmut Höll教授与著名女中音歌唱家Dr.h.c. Mitsuko Shirai 教授，2020 年以满分考入卡尔斯鲁尔音乐学院艺术歌曲艺术指导专业高级演奏文聘(博士)，师从德国著名艺术歌曲大师、卡尔斯鲁尔音乐学院院长Hartmut Höll教授与著名女中音歌唱家Dr.h.c. Mitsuko Shirai 教授，2023年10月以满分成绩获得德国卡尔斯鲁尔音乐学院艺术歌曲艺术指导音乐会演奏家文聘(博士)。

她曾参演上海音乐学院作曲教授温德青所举办的“丹.尤.哈斯的讲座与作品音乐会”，之后与小提琴家Wei-Chung Chen、Seohyun共同参演了由卡鲁音乐学院室内乐系主任Markus Stange 教授在卡鲁国家美术馆所举办的专题音乐会“图画概览'战争与和平’”(Bildbetrachtung" Krieg und Frieden")。

在德国学习期间，她与来自不同国家的歌唱家在卡尔斯鲁尔举办音乐会，并受德国Bad Liebenzell市政府邀请与德法籍木笛演奏家SolangeKommenda共同举办专场音乐会；2019年与2023年，她与中国低男中音博士包亨利参加德国“Riemschneider ”奖学金大师课与音乐会演出；2019年她与德国布鲁萨尔歌剧院女中音Clara-Sophie Bertram在卡尔斯鲁尔“城市奖学金”音乐会中合作；2022、2023与2024年分别被选上参与芬兰萨翁林纳艺术歌曲音乐节大师课与演出，并与中国女高音歌唱家乌烈热合作，得到了德国艺术歌曲大师Hartmut Höll 教授，中国著名男中音歌唱家、上海音乐学院院长廖昌永教授，与上海音乐学院著名旅美男低音歌唱家周正教授的指导；2024年3月受德国巴登巴登天主教会邀请，她与中国低男中音博士包亨利、德国男中音歌唱家ChristianBauer在巴登巴登成功举办艺术歌曲与歌剧咏叹调专场音乐会。

在卡尔斯鲁尔音乐学院学习期间她曾多次参加Dr.h.c. Daniel Fueter(瑞士苏黎世音乐学院前院长、著名作曲家)、Anne Grapotte(法国著名艺术歌曲指导大师、法国国立音乐学院艺术歌曲指导前系主任)、Christoph Prégardien(德国著名男高音歌唱家，科隆音乐与舞蹈学院教授)、Dorothea Röschmann(德国著名女高音歌唱家)、Wolfgang Holzmair(奥地利著名男中音歌唱家、萨尔茨堡音乐学院教授)、Tanja Ariane Baumgartner(德国著名女中音歌唱家，瑞士伯尔尼音乐学院教授)、David Selig(法国著名艺术歌曲指导与钢琴家)、Kathryn Goodson(美国著名声乐艺术指导)、Dietmar Loeffler(德国著名作曲家)、Javier Arrebola(西班牙著名艺术歌曲指导与钢琴家)、Liv Solveig Wagner(德国爵士歌唱家)与Claar ter Horst(德国柏林汉斯.艾斯勒音乐学院声乐艺术指导)的大师课。

2021-2022期间曾任职卡尔斯鲁尔音乐学院声乐系、著名瓦格纳女高 Ingrid Haubold教授班级助教(声乐艺术指导)，2023年底被德国Bretten现代音乐学校聘为钢琴讲师。

Gao Yuan currently serves as a vocal artistry instructor at the Vocal and Opera Department of the Xinghai Conservatory of Music.

Born in Kunming, Yunnan Province in 1994, she began learning the piano at the age of five, studying under Professor Li Zhaoren, the head of the Piano Department at Yunnan Arts University. In 2012, she was admitted to the Piano Department of the Shanghai Conservatory of Music, where she studied under the current associate department head, Professor Sun Yingdi. In 2016, she studied art song accompaniment with Professor Ulrich Eisenlohr from the Cologne University of Music and Dance. In October 2017, she was admitted to the Karlsruhe Conservatory of Music in Germany for a postgraduate program (piano) in art song accompaniment, studying under the renowned art song master and president of the Karlsruhe Conservatory, Professor Hartmut Höll, and the famous mezzo-soprano Dr. h.c. Mitsuko Shirai. In 2020, she was admitted with full marks to the advanced performance diploma (doctorate) program in art song accompaniment at the Karlsruhe Conservatory, continuing her studies under Professors Hartmut Höll and Dr. h.c. Mitsuko Shirai. In October 2023, she obtained a concert performer diploma (doctorate) in art song accompaniment with full marks from the Karlsruhe Conservatory.

She has participated in the "Lecture and Concert of the Works of Dan Yuhas" hosted by Professor Wen Deqing, a composition professor at the Shanghai Conservatory of Music, and later performed in the thematic concert "Bildbetrachtung 'Krieg und Frieden'" (Picture Viewing 'War and Peace') at the Karlsruhe National Art Gallery with violinists Wei-Chung Chen and Seohyun, under the direction of Professor Markus Stange, head of the chamber music department at the Karlsruhe Conservatory.

During her studies in Germany, she held concerts with singers from different countries in Karlsruhe and was invited by the city government of Bad Liebenzell, Germany, to hold a special concert with the Franco-German recorder player Solange Kommenda. In 2019 and 2023, she participated in the "Riemschneider" Scholarship masterclasses and concert performances in Germany with Chinese bass-baritone Dr. Henry Bao. In 2019, she collaborated with German mezzo-soprano Clara-Sophie Bertram in the "City Scholarship" concert in Karlsruhe. In 2022, 2023, and 2024, she was selected to participate in the masterclasses and performances at the Säännölinna Art Song Festival in Finland, collaborating with Chinese soprano Wuliere, and received guidance from art song master Hartmut Höll, the renowned Chinese baritone and president of the Shanghai Conservatory of Music, Professor Liao Changyong, and the famous Chinese-American bass and professor at the Shanghai Conservatory of Music, Professor Zhou Zheng. In March 2024, she was invited by the Catholic Church in Baden-Baden, Germany, to successfully hold a concert of art songs and opera arias with Chinese bass-baritone Dr. Henry Bao and German baritone Christian Bauer.

During her time at the Karlsruhe Conservatory, she attended masterclasses with Dr. h.c. Daniel Fueter (former president of the Zurich Conservatory of Music in Switzerland and renowned composer), Anne Grapotte (renowned art song accompaniment master and former head of the art song department at the Conservatoire National Supérieur de Musique in France), Christoph Prégardien (renowned German tenor and professor at the Cologne University of Music and Dance), Dorothea Röschmann (renowned German soprano), Wolfgang Holzmair (renowned Austrian baritone and professor at the Salzburg Conservatory of Music), Tanja Ariane Baumgartner (renowned German mezzo-soprano and professor at the Bern Conservatory of Music in Switzerland), David Selig (renowned French art song accompanist and pianist), Kathryn Goodson (renowned American vocal accompanist), Dietmar Loeffler (renowned German composer), Javier Arrebola (renowned Spanish art song accompanist and pianist), Liv Solveig Wagner (German jazz singer), and Claar ter Horst (vocal accompanist at the Hanns Eisler Conservatory of Music in Berlin, Germany).

From 2021 to 2022, she served as an assistant teacher (vocal accompanist) in the vocal department at the Karlsruhe Conservatory under the renowned Wagnerian soprano Ingrid Haubold. At the end of 2023, she was appointed as a piano lecturer at the Modern Music School in Bretten, Germany.

蔡青

制作人

蔡青，湖北武汉人，旅德青年戏剧女高音歌唱家。

自15岁起，她便师从上海音乐学院声乐系谢乐教授开始古典声乐启蒙。2007至2011年在湖北第二师范学院师从王培喜教授完成音乐表演专业的本科学习后，蔡青于2011年至2014年成为北京国家大剧院驻院合唱团演员，并参与了20余部国家大剧院制作的中外歌剧剧目，及过百场歌剧和大型音乐会的演出，涵盖了威尔第、瓦格纳、普契尼、贝多芬等著名作曲家的歌剧作品及合唱交响作品。在此期间，她还曾与许多世界知名的指挥家、导演合作同台演出（包括Valery Gergiev、Stephen Barlow、José Plácido Domingo、严良堃、吴灵芬、吕嘉、张国勇、郑明勋、Giancarlo Del Monaco、Francesca Zambello、Hugo de Ana等）。

她作为年轻演员活跃舞台时，得到著名旅美男中音歌唱家章亚伦先生和女高音歌唱家吴晓路女士的赏识和推荐，于2014年年底来到德国继续学习深造，开始了她在欧洲长达10年的音乐学习生涯。2018-2021年，她师从德国花腔女高音歌唱家Doris Döllinger和Prof. Christian Schmidt-Timmermann，在德国雷根斯堡音乐学院（Hochschule für Katholische Kirchenmusik & Musikpädagogik）以优异的成绩获得声乐教育方向的硕士学位。2022-2024年，她在德国卡尔斯鲁厄音乐学院（Hochschule für Musik Karlsruhe）师从世界著名戏剧女高音歌唱家Prof. Christiane Libor和男低音歌唱家Prof. Stephan Klemm攻读歌剧独唱家学位(Solistenexamen Operngesang)，获得歌剧独唱家最高文凭，博士学位。

她的近期亮点包括：2022年，她在德国卡尔斯鲁厄音乐学院歌剧学院制作的德国歌剧《汉赛尔与格雷特尔 Hänsel und Gretel》中扮演母亲Gertrud一角。同年7月，她曾受到米兰斯卡拉剧院经理Dominique Meyer先生的邀请参加了斯卡拉歌剧院(Teatro alla Scala)的试镜演唱。2023年，她再次与卡尔斯鲁厄歌剧学院合作，成功饰演了理查德•斯特劳斯的歌剧《拿索斯岛的阿丽阿德涅 Ariadne auf Naxos》中的主角Ariadne。同年还与著名指挥家Stefan Ottersbach和卡尔斯鲁厄音乐学院交响乐团合作演出第18届交响音乐会，演唱了理查德•斯特劳斯的艺术歌曲《最后四首歌》。在德国演出期间她多次获得当地媒体的关注和赞赏，包括上巴伐利亚人民日报(https://www.ovb-heimatzeitungen.de/?Pub=07. 09.2022)、PAMINA 古 典 音 乐 评 论 杂 志(https://www.pamina-magazin.de/kritik/1334-ariadne-auf-naxos)。2024年2月她以满分的成绩完成了博士毕业音乐会。

Cai Qing, from Wuhan, Hubei, is a young dramatic soprano based in Germany.

Since the age of 15, she has been studying classical vocal music under the guidance of Professor Xie Le at the Voice Department of the Shanghai Conservatory of Music. From 2007 to 2011, she completed her undergraduate studies in Music Performance at Hubei Second Normal University under the tutelage of Professor Wang Peixi. From 2011 to 2014, Cai Qing was a member of the resident choir at the National Centre for the Performing Arts in Beijing, participating in more than 20 Chinese and foreign opera productions staged by the National Centre for the Performing Arts, as well as over a hundred opera performances and large-scale concerts, covering the works of famous composers such as Verdi, Wagner, Puccini, Beethoven, and others. During this period, she also collaborated with many world-renowned conductors and directors, including Valery Gergiev, Stephen Barlow, José Plácido Domingo, Yan Liangkun, Wu Lingfen, Lü Jia, Zhang Guoyong, Zheng Mingxun, Giancarlo Del Monaco, Francesca Zambello, Hugo de Ana, among others.

While active on the stage as a young performer, she was recognized and recommended by the renowned Chinese-American baritone Zhang Yarun and soprano Wu Xiaolu. At the end of 2014, she came to Germany to continue her studies and began a 10-year music learning career in Europe. From 2018 to 2021, she studied under the German coloratura soprano Doris Döllinger and Prof. Christian Schmidt-Timmermann at the Regensburg Conservatory of Music (Hochschule für Katholische Kirchenmusik & Musikpädagogik), where she earned a master's degree in Vocal Education with excellent results. From 2022 to 2024, she studied at the Karlsruhe Conservatory of Music (Hochschule für Musik Karlsruhe) under the world-renowned dramatic soprano Prof. Christiane Libor and bass Prof. Stephan Klemm, pursuing a degree in Opera Solo Singing (Solistenexamen Operngesang) and obtained the highest diploma, a doctorate.

Recent highlights of her career include: in 2022, she played the role of Gertrud, the mother, in the German opera "Hänsel und Gretel" produced by the Opera Academy of the Karlsruhe Conservatory of Music. In the same year in July, she was invited by the manager of La Scala, Dominique Meyer, to participate in the auditions at the Teatro alla Scala. In 2023, she collaborated again with the Karlsruhe Opera Academy, successfully portraying the lead role of Ariadne in Richard Strauss's opera "Ariadne auf Naxos." She also performed with the renowned conductor Stefan Ottersbach and the Karlsruhe Conservatory Symphony Orchestra at the 18th Symphony Concert, singing Richard Strauss's "Four Last Songs." During her performances in Germany, she received attention and praise from local media, including the Oberbayrische Volksblatt (https://www.ovb-heimatzeitungen.de/?Pub=07.09.2022) and the PAMINA Classical Music Review Magazine (https://www.pamina-magazin.de/kritik/1334-ariadne-auf-naxos). In February 2024, she completed her doctoral graduation concert with a perfect score.

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03PART.THREE大师班亮点

国际声乐大师1v1指导

国际声乐大师 Prof. Christiane Libor 和 Prof. Stephan Klemm 拥有多年在教学、歌剧舞台和国际声乐大赛评委领域的丰富经验。Prof. Christiane Libor 和 Prof. Stephan Klemm 都曾担任多个国际声乐比赛的主席和评委，包括德国瓦格纳 莱布尼兹声乐比赛(Wagner Leipzig Competition)、德国新声音国际声乐比赛（Deutsche Opern Wettbewerb）、汉斯·嘉伯国际声乐比赛（Hans Gabor Belvedere Singing Competition）和国际威尔第声乐比赛（International Verdi Competition）。

两位教授都强调个性化教学，注重每位学生的独特声音特质和艺术风格，对于申请欧洲留学项目、准备国际声乐比赛或规划和发展音乐职业生涯，均能提供专业且个性化的指导，并且旨在帮助声乐演唱者提升学生们的声乐技巧、音乐诠释能力以及舞台上的艺术表现力。

Prof. Christiane Libor

Prof. Stephan Klemm 

学员专场汇报演出

每位学员课程结束后将受邀在高标准的专业化剧院——东莞玉兰大剧院·大剧场进行大师班结业专场汇报音乐会，剧院将提供专业的录音录像， 演出视频可供学员申请入学考试， 比赛预选，剧院面试申请等。

东莞玉兰大剧院大剧场

东莞玉兰大剧院小剧场 

 东莞玉兰大剧院排练厅

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04 PART.FOUR课程介绍

课程时间安排

大师班时间：2025年3月17-20日

结课音乐会：2025年3月21日19:30

课程举办地点

东莞玉兰大剧院

小剧场及排练厅

提供的内容包括

· 声乐技巧专项提升：专注于提升学员的发声技巧，通过专业的声乐训练，帮助学员掌握科学的发声方法，提升声音的质感与表现力。

· 歌剧与艺术歌曲的深度演绎：深入探讨歌剧、音乐会及艺术歌曲的内涵与风格，指导学员如何准确诠释角色，传达作品的深层情感。

· 职场新人市场推广策略研讨会：为职场新人提供专业的市场推广建议，通过讨论会的形式，分享实用的推广技巧和策略，助力职业发展。

· 可提供德语语言辅导：我们提供专业的德语辅导，帮助学员克服语言障碍，更好地理解和演绎德语作品。

· 表演艺术强化训练：通过系统的表演训练，提升学员的舞台表现力和角色塑造能力，增强演出的感染力。

· 一对一导师辅导：确保每位导师每天都会为每位学员提供个性化指导，精准定位学员需求。

· 多语种歌剧与艺术歌曲选择：学员可根据个人喜好和需求，选择使用德语、意大利语、法语或西班牙语进行歌剧、音乐会和艺术歌曲的学习与表演。

· 双语授课环境：课程以德语和英语为主要授课语言，现场配备专业翻译人员，确保沟通无障碍，学习更高效。

「更多问题可以咨询：yldjyyj01」

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@所有优质文艺艺术爱好者们，

让我们一同步入与大师零距离交流的殿堂，

沉浸于声乐艺术的无尽魅力之中，

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